Friday, July 29, 2011
Rob Cohen to direct '1950'
Rob Cohen has signed on to direct Korean War tale "1950," produced by CJ E&M Pictures of South Korea and Grapevine Entertainment.Producers made the announcement Thursday, noting that the project is the largest undertaken by the Korean film industry at $100 million. Shooting's expected to begin in May with a planned release date of the spring of 2013."1950," based on dispatches from New York Herald Tribune correspondent Marguerite Higgins, is produced by Brett Donowho, Sean Lee and John Han and exec produced by Paul Hudson. Producers developed the story, and tapped Rachel Long and Brian Pittman to script a story of Higgins' journey across the Korean peninsula with a platoon of marines, ending with the mass evacuation on Christmas Eve of nearly 200,000 South Korean civilians escaping the oncoming Chinese and North Korean armies.CJ and Grapevine said they are in talks to cast actors and in "advanced negotiations" with a distribution company to handle the release outside of Korea, where CJ will handle.Cohen said, "The Korean War has often been referred to as 'the forgotten war' and I think it's time it was remembered. Telling the story of this harrowing conflict through the eyes of pioneering journalist Marguerite Higgins makes it a very different war film on every level."Cohen's credits include "The Fast and the Furious," "xXx," "Stealth" and "The Mummy: Tomb of the Dragon Emperor." Contact Dave McNary at dave.mcnary@variety.com
Wednesday, July 13, 2011
The Secret of the Grain
Slimane Beiji (Habib Boufares) is the divorced head of a Franco-Arabic family. As he is being forced out of his job at the local shipyard, he interacts in a series of extended vignettes with various members of his extended family including his ex-wife, his sons and daughters, their husbands and wives, and his grandchildren. Determined to leave a legacy for his beloved family, and encouraged by his long-term partner's daughter, Rym, (Hafsia Herzi) he pursues his dream of converting a dilapidated boat into a family restaurant that will specialise in his ex-wife's fish couscous, a meal that she prepares for the entire family every Sunday.
With Rym's enthusiastic help, Slimane applies for the relevant licences and loans, but soon finds himself knee-deep in bureaucratic red tape. Undaunted, Slimane enlists his sons to help with the renovation and arranges an opening gala of a large dinner party, to which he invites the many bureaucrats on whose decision the fate of the project rests, in an attempt to demonstrate the viability of the enterprise. On the night in question attendance is high, although notable by her absence is his long-term partner, Latifa. Insulted and threatened by the involvement of Slimane's ex-wife in the project, the restaurant's cook and creator of the pivotal fish couscous, Latifa refuses to leave her hotel. Rym pleads with her to attend, encouraging her to use the opportunity to flaunt her comparative youth and beauty in front of Slimane's ex-wife, and eventually she concedes.
Having prepared the couscous, fish, vegetables and sauce in large metal cauldrons, Slimane's ex-wife sends the food to the boat with her sons and leaves her apartment to find a 'poor man' so that she can donate a plate of food that she habitually reserves for the less fortunate. At the restaurant, the sons unload the metal cauldrons and the women serve wine and appetisers to the waiting guests. The guests, talking amongst themselves, begin to speak both positively and anxiously about the likely success of the restaurant, now concerned that it may draw custom away from the other restaurants in the area. Slimane's son Majid, whilst surveying the crowd, notices a bureaucrat's wife with whom he has had several illicit sexual liaisons and decides to leave quietly. He instructs his brother to tell the rest of the family that he has gone to help a friend who has broken down on the highway. The women start to heat up the food when they notice the absence of the couscous. Panic mounts when they discover that it is definitively absent and Majid, who has taken the car that still holds the metal cauldron in the trunk, is not answering his phone. Knowing that it will take at least another hour to cook a new batch, they continue to frantically call Majid and attempt to call Souad, who is out searching for an unfortunate in need of plate of couscous. Slimane takes his motorbike out to Souad's apartment building to find her.
In the dining room the guests, despite the attempts of the women to placate them with assurances and date liqueur, become extremely restless. Their comments turn nasty and they turn on the waitressing girls. When he cannot find his ex-wife, Slimane leaves the apartment building to find his motorbike stolen. The culprits, three young boys, sit atop the stolen bike on the other side of the river, mocking him. He runs after them, but every time they stop to mock him they move on before he can catch up to them.
Tensions in the dining room reach a peak and Rym decides to step in. She whispers to the musicians, and suddenly the music stops and the lights go out. When they come back on, Rym stands before the assembled diners in a red belly-dancing outfit. The musicians play for her and she entrances the guests with a fervent performance, charged with youthful, sexual energy. Latifa uses the opportunity to slip off the boat and return to the hotel to start a new pot of couscous.
As Rym dances and sweats, her mother walks up the gangplank with a new cauldron of couscous, whilst Slimane continues to chase the youths around the apartment building. Finally he collapses to his knees, slumped on the asphalt.
With Rym's enthusiastic help, Slimane applies for the relevant licences and loans, but soon finds himself knee-deep in bureaucratic red tape. Undaunted, Slimane enlists his sons to help with the renovation and arranges an opening gala of a large dinner party, to which he invites the many bureaucrats on whose decision the fate of the project rests, in an attempt to demonstrate the viability of the enterprise. On the night in question attendance is high, although notable by her absence is his long-term partner, Latifa. Insulted and threatened by the involvement of Slimane's ex-wife in the project, the restaurant's cook and creator of the pivotal fish couscous, Latifa refuses to leave her hotel. Rym pleads with her to attend, encouraging her to use the opportunity to flaunt her comparative youth and beauty in front of Slimane's ex-wife, and eventually she concedes.
Having prepared the couscous, fish, vegetables and sauce in large metal cauldrons, Slimane's ex-wife sends the food to the boat with her sons and leaves her apartment to find a 'poor man' so that she can donate a plate of food that she habitually reserves for the less fortunate. At the restaurant, the sons unload the metal cauldrons and the women serve wine and appetisers to the waiting guests. The guests, talking amongst themselves, begin to speak both positively and anxiously about the likely success of the restaurant, now concerned that it may draw custom away from the other restaurants in the area. Slimane's son Majid, whilst surveying the crowd, notices a bureaucrat's wife with whom he has had several illicit sexual liaisons and decides to leave quietly. He instructs his brother to tell the rest of the family that he has gone to help a friend who has broken down on the highway. The women start to heat up the food when they notice the absence of the couscous. Panic mounts when they discover that it is definitively absent and Majid, who has taken the car that still holds the metal cauldron in the trunk, is not answering his phone. Knowing that it will take at least another hour to cook a new batch, they continue to frantically call Majid and attempt to call Souad, who is out searching for an unfortunate in need of plate of couscous. Slimane takes his motorbike out to Souad's apartment building to find her.
In the dining room the guests, despite the attempts of the women to placate them with assurances and date liqueur, become extremely restless. Their comments turn nasty and they turn on the waitressing girls. When he cannot find his ex-wife, Slimane leaves the apartment building to find his motorbike stolen. The culprits, three young boys, sit atop the stolen bike on the other side of the river, mocking him. He runs after them, but every time they stop to mock him they move on before he can catch up to them.
Tensions in the dining room reach a peak and Rym decides to step in. She whispers to the musicians, and suddenly the music stops and the lights go out. When they come back on, Rym stands before the assembled diners in a red belly-dancing outfit. The musicians play for her and she entrances the guests with a fervent performance, charged with youthful, sexual energy. Latifa uses the opportunity to slip off the boat and return to the hotel to start a new pot of couscous.
As Rym dances and sweats, her mother walks up the gangplank with a new cauldron of couscous, whilst Slimane continues to chase the youths around the apartment building. Finally he collapses to his knees, slumped on the asphalt.
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